A moovie podcast
Today we explore the dark recesses of the human soul with Agnes Callard (Chicago). We discuss von Trier’s minimalist staging, the movie’s parable, the duality of human nature, the lies we tell ourselves and others, the film’s political angle, and the role of anger in response to true evil.
All I see is a beautiful little town in the midst of magnificent mountains. A place where people have hopes and dreams even under the hardest conditions.
Grace
John Milius’s 1984 film Red Dawn has a reputation as a jingoistic conservative fever dream, but we talk with Nat Hansen, who argues that its political outlook is more complex and more interesting. Along the way, we also discuss the film’s portrayal of masculinity, the toll of war, the film’s many references, from The Battle of Algiers to Alexander Nevsky.
Wolverines!
Various
We go BACK to Arrakis, desert planet, homeworld of the spice and the Fremen and keeper of Shai Hulud. We’re joined again for the journey by major spice-head John DeVore to discuss Villeneuve’s two films in relation to Lynch’s 1984 version and Frank Herbert’s book. Along the way, we consider the worm Uber, the possibility of bad trips with the Water of Life, the lack of St. Alia of the Knife, the deliberate backgrounding of the more mystical elements of the novel, and the film’s magnificent score. Repeat after us: “It is by will alone I set my mind in motion… fear is the mindkiller… long live the fighters… and power over spice is power over all!”
Preorder John’s book, ”Theater Kids: A True Tale of Off Off Broadway” now!
Power over spice is power over all.
Unknown
We are joined by Fran Hoepfner (BW/DR, Fran Magazine) to experience the triumph and tragedy of the Von Erich family. We discuss wrestling (duh), Zac, brothers, fathers, bodies, cults, the American political circus, all while trying to figure out our wrestling names and signature moves.
Tonight, I walk with my brothers.
Kerry Von Erich
We’re joined by two philosophers of art to discuss how they’ve helped each other come to a greater appreciation for this quirky but lovable entry into the Fast and Furious franchise. We discuss how art can change depending on the context in which it is embedded, and the ways the franchise could have gone after this film. We also compare notes on the different ways we’ve come to appreciate this film over time.
I have money, it’s trust and character I need around me. You know, who you choose to be around you lets you know who you are. One car in exchange for knowing what a man’s made of? That’s a price I can live with
Han
Join us and Emily St. James to discuss Fred Claus (streaming now on Max)! We marvel at the film’s strange and unnecessarily complicated backstory about the cosmology of sainthood, discuss Santa Claus’s moral epistemology, elf-yourself levels of CGI, why everyone deserves a second chance, and somehow spend five minutes discussing the phenomenon of “ugly hot”.
There’s no naughty kids, Nick. They’re all good kids.
Fred Claus
Time to get HUSH HUSH with Blake Howard (One Heat Minute Productions). Noir, moral compromise, postwar LA, the American Dream, police, the LAPD, Dante FREAKING Spinotti, and MORE!
Don’t start tryin’ to do the right thing, boy-o. You haven’t the practice.
Cpt. Dudley Smith
Joe is going to die. But he has a chance to be a hero, and live like a king. Only, that means he’ll have to jump into a volcano. Is Joe’s story all of ours? We sit down with Chad Perman (founder of Bright Wall / Dark Room) to dig into what makes this zany, existential, transcendent, hilarious, slapstick, profound movie so good. Along the way, we discuss the Kantian sublime, Heidegger’s notion of being-toward-death, the meaning of life, and flibbertigibbets!
I saw the moon when we where out there on the ocean. Shinning down on everything. I’ve been miserable for so long. Years of my life wasted. For you. Been a long time comin’ here to met you. A long time, on a crooked road.
Joe Banks
Cows in the Field