Cows in the Field

GREMLINS (1984)

Bright light! Bright light! We sit down with Brandon Polite (Philosophy, Knox College) to discuss Joe Dante’s horror comedy masterpiece. Topics include: Chekov’s rules of Gremlin lore, Mogwai metaphors, slapstick humor, why you shouldn’t show this movie to young children, practical special effects, old and new Hollywood, capitalism, and what we can learn from Gizmo. Guess who had a stuffed Mogwai as a baby??

The worst thing that ever happened to me was on Christmas. Oh, God. It was so horrible. It was Christmas Eve. I was 9 years old. Me and Mom were decorating the tree, waiting for Dad to come home from work. A couple hours went by. Dad wasn’t home. So Mom called the office. No answer. Christmas Day came and went, and still nothing. So the police began a search. Four or five days went by. Neither one of us could eat or sleep. Everything was falling apart. It was snowing outside. The house was freezing, so I went to try to light up the fire. That’s when I noticed the smell. The firemen came and broke through the chimney top. And me and Mom were expecting them to pull out a dead cat or a bird. And instead they pulled out my father. He was dressed in a Santa Claus suit. He’d been climbing down the chimney… his arms loaded with presents. He was gonna surprise us. He slipped and broke his neck. He died instantly. And that’s how I found out there was no Santa Claus.
Kate Beringer

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SOLARIS (2002)

How did Steven Soderbergh remake an obscure Soviet art-house film based on an even more obscure science fiction novel starring the most bankable A-list movie star? And how did he pull it off?! We sit down with Phil Iscove (Sleepy Hollow / Podcast Like It’s…) to unpack the film’s poetry and vibes, and explore what it would do to someone to encounter their deepest regrets and desires manifesting in physical form. Come vibe on this very odd and intangible classic of the early aughts!

I could tell you what’s happening, but I don’t know if it would really tell you what’s happening.
Snow

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THE BOX (2009)

Our guest Matt Strohl (Philosophy, Montana; author of Why It’s OK to Love Bad Movies) thinks Richard Kelly’s 2009 film THE BOX is due for a critical reappraisal, and we agree. We talk about altruism, self-deception, faith, freedom, Hell, Sartre, and why this is a freaking Christmas movie! Buckle up for a weird and wild journey into the unknown and unknowable!

Your home is a box. Your car is a box on wheels. You drive to work in it. You drive home in it. You sit in your home, staring into a box. It erodes your soul, while the box that is your body inevitably withers… then dies. Whereupon it is placed in the ultimate box, to slowly decompose.
Arlington Steward

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MANHUNTER (1986)

Welcoming back Carly Severn, we take a moment to indulge in Michael Mann’s existential police / serial killer drama Manhunter. We talk about the film’s distinctive use of unexpected style to convey the inner lives of its characters, the film’s (and Mann’s overall) focus on the individual rather than societal, dreams, tigers, mental illness, men doing work, men playing god, and the angst of being called to do something impossible.

I see you there. And I see me desired by you. Accepted and loved in the silver mirrors of your eyes.
Will Graham

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BODY DOUBLE (1984)

Matt Belenky returns to gush over Brian DePalma’s love letter to mediocre men and the women they fancy themselves saving. We discuss the deep anxieties about inadequacy at the film’s core, and how DePalma creates magic out of a plot that’s somehow both threadbare and unnecessarily complex. Even Pauline Kael, one of DePalma’s great champions, thought this one was old hat, but not us — no — we positively LOVE its shaggy unreality. So jump on this nonstop train to Hitchcocksville — we’ll supply the telescope if you bring the drill!

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No! Do not touch me. I’m not dead yet.
Holly Body

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ALMOST FAMOUS (2000)

We hit the road with Paul Keelan (Cinematic Underdogs) and talk bands, touring, growing up, and more in this jam-packed episode on Cameron Crowe’s memoir film Almost Famous. Paul shares his experience touring with bands, and we discover that we were once in the same room over a decade ago! We talk about the illusion and fantasy of life on the road, the desire to hold on to fleeting moments, and role of writers in crystalizing our most cherished memories in prose. We are not golden gods, but we are on drugs!!

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Don’t take drugs!
Elaine Miller

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MATCH POINT (2005)

How should we engage with the work of immoral artists? We explore this question through the lens of Woody Allen’s late period masterpiece Match Point. Mary Beth Willard (Philosopher, Weber State, and author of “Why it’s OK to Enjoy the Work of Immoral Artists”) joins us to discuss the aesthetic costs of not engaging with art, the expressive nature of uncritically loving the work of immoral artists, and we delve into the film’s many themes: guilt, luck, meaning, and morality. These are complicated issues, and we are glad you are joining us to explore them!

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The man who said “I’d rather be lucky than good” saw deeply into life.
Chris Wilton

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THAT THING YOU DO!

We’re joined by Matt Pais (author of Talk 90s with Me) to discuss a favorite 90s nostalgia flick, made thirty years ago about a time thirty years prior to when it came out. So it’s nostalgia about nostalgia, or what some might call meta-nostalgia! We talk about the desire to hold on to the ephemeral, how the film explores the loss of innocence in the 1960s (and compares that with the kind of Gen-X cynicism that gripped the US in the 90s), connections to another film starring Tom Everett Scott (La La Land), and how being in a band on the rise is all fun and games until the 300th time you play your hit song and realize you’re stuck in a loop you may never escape from…

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I’ve wasted thousands of kisses on you…
Faye Dolan

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THE 2023 BLOBSCARS

Join us and professional film/tv critic Emily St. James to talk about the BEST movies of 2022. We give out awards to our favorites, and also discuss some often overlooked categories (best use of 65mm film, best “boys are weird but hot” movie, best bed, best men are trash movie, and best movie to fall asleep to). Which movies will rise to the top and achieve a coveted Blobscar award? And which Nobel Peace Prize winner will be taking home a trophy? Tune in to find out!

He’s… white?
Col. Tom Parker

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WILLOW (1988)

With the release of the Disney+ show set in the world of Andowyne, we figured it was time to revisit a beloved fantasy classic from the 80s, Ron Howard’s delightfully magical WILLOW! Big time Willow-head John DeVore joins us to talk about how the film was his fantasy gateway drug, and how it’s about an adoptive family of ordinary folk who must undertake an extraordinary quest. We discuss all the wonderful action scenes as well as why the film passes the Bechdel test, why the Brownies are the best, and why the eborsisk was just a misunderstood two-headed dragon. Oh, and also John hates Tenet wtf?? That definitely comes up a few times.

W-w-i-l-l-o-w! You i-i-i-i-d-iot!
Fin Raziel

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