Cows in the Field

ALMOST FAMOUS (2000)

We hit the road with Paul Keelan (Cinematic Underdogs) and talk bands, touring, growing up, and more in this jam-packed episode on Cameron Crowe’s memoir film Almost Famous. Paul shares his experience touring with bands, and we discover that we were once in the same room over a decade ago! We talk about the illusion and fantasy of life on the road, the desire to hold on to fleeting moments, and role of writers in crystalizing our most cherished memories in prose. We are not golden gods, but we are on drugs!!

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Don’t take drugs!
Elaine Miller

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MATCH POINT (2005)

How should we engage with the work of immoral artists? We explore this question through the lens of Woody Allen’s late period masterpiece Match Point. Mary Beth Willard (Philosopher, Weber State, and author of “Why it’s OK to Enjoy the Work of Immoral Artists”) joins us to discuss the aesthetic costs of not engaging with art, the expressive nature of uncritically loving the work of immoral artists, and we delve into the film’s many themes: guilt, luck, meaning, and morality. These are complicated issues, and we are glad you are joining us to explore them!

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The man who said “I’d rather be lucky than good” saw deeply into life.
Chris Wilton

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THAT THING YOU DO!

We’re joined by Matt Pais (author of Talk 90s with Me) to discuss a favorite 90s nostalgia flick, made thirty years ago about a time thirty years prior to when it came out. So it’s nostalgia about nostalgia, or what some might call meta-nostalgia! We talk about the desire to hold on to the ephemeral, how the film explores the loss of innocence in the 1960s (and compares that with the kind of Gen-X cynicism that gripped the US in the 90s), connections to another film starring Tom Everett Scott (La La Land), and how being in a band on the rise is all fun and games until the 300th time you play your hit song and realize you’re stuck in a loop you may never escape from…

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I’ve wasted thousands of kisses on you…
Faye Dolan

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THE 2023 BLOBSCARS

Join us and professional film/tv critic Emily St. James to talk about the BEST movies of 2022. We give out awards to our favorites, and also discuss some often overlooked categories (best use of 65mm film, best “boys are weird but hot” movie, best bed, best men are trash movie, and best movie to fall asleep to). Which movies will rise to the top and achieve a coveted Blobscar award? And which Nobel Peace Prize winner will be taking home a trophy? Tune in to find out!

He’s… white?
Col. Tom Parker

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WILLOW (1988)

With the release of the Disney+ show set in the world of Andowyne, we figured it was time to revisit a beloved fantasy classic from the 80s, Ron Howard’s delightfully magical WILLOW! Big time Willow-head John DeVore joins us to talk about how the film was his fantasy gateway drug, and how it’s about an adoptive family of ordinary folk who must undertake an extraordinary quest. We discuss all the wonderful action scenes as well as why the film passes the Bechdel test, why the Brownies are the best, and why the eborsisk was just a misunderstood two-headed dragon. Oh, and also John hates Tenet wtf?? That definitely comes up a few times.

W-w-i-l-l-o-w! You i-i-i-i-d-iot!
Fin Raziel

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INSIDE MAN (2006)

Who is the INSIDE MAN? We sit down with Roxana Hadadi (Vulture / New York Magazine) to discuss Spike Lee’s twisty bank heist thriller from the early aughts. We consider the film’s central theme, which focuses around conflicts of duty and consequence, and takes a very even-handed look at a morally complex world. We also compare the film’s insistence to call out racism with its casual dismissal of homophobia and sexual assault, and think about the challenge faced by those of us just trying to get by while up in unjust systems. We touch on topics of current concern: effective altruism and longtermism, and consider how the film illustrates what might be lacking in such perspectives.

I’m no martyr. I did it for the money. But it’s not worth much if you can’t face yourself in the mirror. Respect is the ultimate currency.
Dalton Russell

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INTERSTELLAR (2014)

We hop into a black hole with Jon Gabrus (High & Mighty, Action Boyz, 101 Places to Party Before You Die) to discuss Christopher Nolan’s spacetime warping epic! We consider the film’s complex relationship with science, exploration, and family obligations; and we defend Nolan against the charge that he’s an emotionless filmmaker. Naturally, we try to figure out which character we each are (can you guess?) and then Justin does his best to explain/understand gravitational time dilation. Don’t miss out, this is a good one folks!

Love is the only thing we can perceive that transcends time and space.
Amelia Brand

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IT’S A WONDERFUL LIFE (1946)

Join us and proverbial bringer-of-Christmas-cheer Emily St. James as we dive into Frank Capra’s existentialist Christmas classic It’s a Wonderful Life! We talk about the film’s overt and subtle political messaging, which got it labeled Communist propaganda soon after its release, and contrast the zero sum deadlocked conflict of Potter with the generosity and warmth of George and (especially) Mary. We consider various interpretations of what George learns in his journey through the alternate reality of Pottersville and how Capra underscores the communitarian and occasionally Christian values by cramming his frames full of smiling faces. So come find out why this thing we call life really is wonderful!

Read Emily on Vox and Twitter and Mastodon! Read Emily on It’s a Wonderful Life here and here!

Remember, George: no man is a failure who has friends.
Clarence

FIGHT CLUB (1999)

We talked with Jack’s inflamed sense of rejection and it told us to watch Fight Club with friend Brian Martinez, so here we are. We go into anger, violence, masculinity, misogyny, absurdism, meaninglessness, privilege, sexuality, narcissism, latent fascism, men’s rights groups, male friendships, and also Reel Big Fish??

You’re not your job. You’re not how much money you have in the bank. You’re not the car you drive. You’re not the contents of your wallet. You’re not your fucking khakis. You’re the all-singing, all-dancing crap of the world.
Tyler Durden

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DOGTOOTH (2009)

We delve into fascism and parenting and fascist parenting with Jack Draper (Exiting Through the 2010s), talking about mechanisms of control, acts of defiance through reclaiming an identity, the role of film as a revolutionary ideal, and, of course, Frank Sinatra. Oh yes, and can you pass the telephone? I’d like to relax in a nice, comfortable, sea.

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Dad loves us. Mom loves us. Do we love them? Yes we do. I love my brothers and sisters, because they love me as well. The spring is flooding my house. The spring is flooding my little heart. My parents are proud of me because I’m doing just fine. I’m doing just fine, but I will always try harder. My house, you are beautiful and I love you, and I will never ever leave you.
Father

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