Cows in the Field

THE 2023 BLOBSCARS

Join us and professional film/tv critic Emily St. James to talk about the BEST movies of 2022. We give out awards to our favorites, and also discuss some often overlooked categories (best use of 65mm film, best “boys are weird but hot” movie, best bed, best men are trash movie, and best movie to fall asleep to). Which movies will rise to the top and achieve a coveted Blobscar award? And which Nobel Peace Prize winner will be taking home a trophy? Tune in to find out!

He’s… white?
Col. Tom Parker

Go back

Thanks!

WILLOW (1988)

With the release of the Disney+ show set in the world of Andowyne, we figured it was time to revisit a beloved fantasy classic from the 80s, Ron Howard’s delightfully magical WILLOW! Big time Willow-head John DeVore joins us to talk about how the film was his fantasy gateway drug, and how it’s about an adoptive family of ordinary folk who must undertake an extraordinary quest. We discuss all the wonderful action scenes as well as why the film passes the Bechdel test, why the Brownies are the best, and why the eborsisk was just a misunderstood two-headed dragon. Oh, and also John hates Tenet wtf?? That definitely comes up a few times.

W-w-i-l-l-o-w! You i-i-i-i-d-iot!
Fin Raziel

Go back

Thanks!

INSIDE MAN (2006)

Who is the INSIDE MAN? We sit down with Roxana Hadadi (Vulture / New York Magazine) to discuss Spike Lee’s twisty bank heist thriller from the early aughts. We consider the film’s central theme, which focuses around conflicts of duty and consequence, and takes a very even-handed look at a morally complex world. We also compare the film’s insistence to call out racism with its casual dismissal of homophobia and sexual assault, and think about the challenge faced by those of us just trying to get by while up in unjust systems. We touch on topics of current concern: effective altruism and longtermism, and consider how the film illustrates what might be lacking in such perspectives.

I’m no martyr. I did it for the money. But it’s not worth much if you can’t face yourself in the mirror. Respect is the ultimate currency.
Dalton Russell

Go back

Thanks!

INTERSTELLAR (2014)

We hop into a black hole with Jon Gabrus (High & Mighty, Action Boyz, 101 Places to Party Before You Die) to discuss Christopher Nolan’s spacetime warping epic! We consider the film’s complex relationship with science, exploration, and family obligations; and we defend Nolan against the charge that he’s an emotionless filmmaker. Naturally, we try to figure out which character we each are (can you guess?) and then Justin does his best to explain/understand gravitational time dilation. Don’t miss out, this is a good one folks!

Love is the only thing we can perceive that transcends time and space.
Amelia Brand

Go back

Thanks!

IT’S A WONDERFUL LIFE (1946)

Join us and proverbial bringer-of-Christmas-cheer Emily St. James as we dive into Frank Capra’s existentialist Christmas classic It’s a Wonderful Life! We talk about the film’s overt and subtle political messaging, which got it labeled Communist propaganda soon after its release, and contrast the zero sum deadlocked conflict of Potter with the generosity and warmth of George and (especially) Mary. We consider various interpretations of what George learns in his journey through the alternate reality of Pottersville and how Capra underscores the communitarian and occasionally Christian values by cramming his frames full of smiling faces. So come find out why this thing we call life really is wonderful!

Read Emily on Vox and Twitter and Mastodon! Read Emily on It’s a Wonderful Life here and here!

Remember, George: no man is a failure who has friends.
Clarence

FIGHT CLUB (1999)

We talked with Jack’s inflamed sense of rejection and it told us to watch Fight Club with friend Brian Martinez, so here we are. We go into anger, violence, masculinity, misogyny, absurdism, meaninglessness, privilege, sexuality, narcissism, latent fascism, men’s rights groups, male friendships, and also Reel Big Fish??

You’re not your job. You’re not how much money you have in the bank. You’re not the car you drive. You’re not the contents of your wallet. You’re not your fucking khakis. You’re the all-singing, all-dancing crap of the world.
Tyler Durden

Go back

Thanks!

DOGTOOTH (2009)

We delve into fascism and parenting and fascist parenting with Jack Draper (Exiting Through the 2010s), talking about mechanisms of control, acts of defiance through reclaiming an identity, the role of film as a revolutionary ideal, and, of course, Frank Sinatra. Oh yes, and can you pass the telephone? I’d like to relax in a nice, comfortable, sea.

Listen to Exiting Through the 2010s!

Follow Jack on Twitter!

Dad loves us. Mom loves us. Do we love them? Yes we do. I love my brothers and sisters, because they love me as well. The spring is flooding my house. The spring is flooding my little heart. My parents are proud of me because I’m doing just fine. I’m doing just fine, but I will always try harder. My house, you are beautiful and I love you, and I will never ever leave you.
Father

Go back

Thanks!

THE BABADOOK (2014)

Is it a bad book or the Ba-Ba-Doo-Doo-Doooooook?? We chat with Libby Hill (The Wrap) about Jennifer Kent’s painful and potent allegory about grief, anxiety, depression, parenting… you know — the BIG STUFF. We discuss how the imagery of the Babadook conveys enveloping dread, and ongoing struggles with our own Babadooks. We talk about being a caregiver without a support system, and how community and friendship can help someone out of a dark place. We also laugh and cry and talk about moms and children and the Babadook’s metafictional role as a queer icon.

You cannot get rid of MEEEEE!
The Babadook

Go back

Thanks!

THE EXORCIST (1973)

It just so happens that one of us is probably possessed, and is in need of THE EXORCIST! Join us and Carly Severn (KQED San Francisco) to discuss the Friedkin / Pazuzu of it all. Why is this movie so deeply terrifying, even today, FIFTY years after its initial release?? We talk about parents — being parents, being kids, dealing with parents, and kids, and why all those familial relationships are apt targets of twisted horror. We talk sacrifice, losing control, the many bodily fluids, and wonder whether Pazuzu is more of a David Blaine style demon, or Siegfried and Roy style demon (spoiler: obviously the latter). You don’t want to miss out on this classic spooky movie and this spooky discussion of it!

If you need someone to perform an exorcism, I’m not your man. I’m not a priest anymore.
Father Karras

Go back

Thanks!

BRAM STOKER’S DRACULA (1992)

Join us and Bilge Ebiri (New York Magazine / Vulture) to delve into Francis Ford Coppola’s 1992 masterpiece. We discuss the early critical reception and why the broader consensus has come around to this sexed-up, theatrical, in-camera-practical-effects-driven, reinvention of the classic vampire story. We discuss the uncanny and the helplessness induced by the film’s meandering epistolary style, as well Coppola’s genre reinventions and the standoff between materialism and spiritualism. If you haven’t seen this movie, CHECK IT OUT! And then come back and join us for a spooky conversation!

Ja, she was in great pain. Then we cut off her head and drove a stake through her heart and burned it and then she found peace.
Abraham van Helsing

Go back