The Phantom Menace has weathered the highs and (mostly) lows of fan appraisal. Once derided, then reclaimed, where does it stand in 2023? We issue the definitive assessment: it is good (kind of). Matt Teichman (Elucidations Podcast) brings his colleague Jar Jar Binks along for the ride, as we discuss pod racing, queen wardrobes, lightsaber battles, Jedi Stoicism, ineffectual bureaucracy, and the allure of fascism. Stay with us to the end for a blast of 1999 nostalgia!
We sit down with my colleague Agustín Rayo (Professor of Philosophy, Dean of SHASS at MIT, and winner of the big number duel) to discuss Alfonso Cuarón’s autobiographical film, Roma. We discuss memory, dreams, guilt, class, background, lenses, digital formats, and, of course, Mexico City.
When I was older, I used to be a sailor. But I drowned in a storm. The waves were huge!
Join us and Bilge Ebiri (New York Magazine / Vulture) to discuss Christopher Nolan’s deconstructed biopic about the man who birthed a very big bomb. Deconstructed narratives, quantum mechanics, moral dilemmas, subjective inflection, brilliant and sure-handed intercutting… and we set the record straight on whether Nolan’s films are funny and whether his female characters are poorly developed.
Genius is no guarantee of wisdom. How could this man who saw so much be so blind?
Joining us to talk about What Maisie Knew (2012) is the film’s producer, Daniela Taplin Lundberg (whose feature credits include The Kids Are All Right, Beasts of No Nation, and Honey Boy)! We talk about the challenges making independent feature films, the film’s portrayal of divorce and new beginnings, and how it captures the feeling of a memory. After you listen, you should check out Daniela’s podcast, Hollywood Gold, a series of interviews with Hollywood producers about the stories we know and love.
I’d give you a couple of pointers, but I doubt that the Jacobean Tragedy that was our relationship would apply to the farce that you two guys are playing out.
We sit down with Lydia Tár expert Emily St. James to talk about guilt, repression, cancel culture, subjectivity, moral hazards, the Todd Field Cinematic Universe, and… you guessed it… Oklahoma! How is any of this possible? Tune in to find out!
The problem with enrolling yourself as an ultrasonic epistemic dissident is that if Bach’s talent can be reduced to his gender, birth country, religion, sexuality, and so on, then so can yours.
Bright light! Bright light! We sit down with Brandon Polite (Philosophy, Knox College) to discuss Joe Dante’s horror comedy masterpiece. Topics include: Chekov’s rules of Gremlin lore, Mogwai metaphors, slapstick humor, why you shouldn’t show this movie to young children, practical special effects, old and new Hollywood, capitalism, and what we can learn from Gizmo. Guess who had a stuffed Mogwai as a baby??
The worst thing that ever happened to me was on Christmas. Oh, God. It was so horrible. It was Christmas Eve. I was 9 years old. Me and Mom were decorating the tree, waiting for Dad to come home from work. A couple hours went by. Dad wasn’t home. So Mom called the office. No answer. Christmas Day came and went, and still nothing. So the police began a search. Four or five days went by. Neither one of us could eat or sleep. Everything was falling apart. It was snowing outside. The house was freezing, so I went to try to light up the fire. That’s when I noticed the smell. The firemen came and broke through the chimney top. And me and Mom were expecting them to pull out a dead cat or a bird. And instead they pulled out my father. He was dressed in a Santa Claus suit. He’d been climbing down the chimney… his arms loaded with presents. He was gonna surprise us. He slipped and broke his neck. He died instantly. And that’s how I found out there was no Santa Claus.
How did Steven Soderbergh remake an obscure Soviet art-house film based on an even more obscure science fiction novel starring the most bankable A-list movie star? And how did he pull it off?! We sit down with Phil Iscove (Sleepy Hollow / Podcast Like It’s…) to unpack the film’s poetry and vibes, and explore what it would do to someone to encounter their deepest regrets and desires manifesting in physical form. Come vibe on this very odd and intangible classic of the early aughts!
I could tell you what’s happening, but I don’t know if it would really tell you what’s happening.
Our guest Matt Strohl (Philosophy, Montana; author of Why It’s OK to Love Bad Movies) thinks Richard Kelly’s 2009 film THE BOX is due for a critical reappraisal, and we agree. We talk about altruism, self-deception, faith, freedom, Hell, Sartre, and why this is a freaking Christmas movie! Buckle up for a weird and wild journey into the unknown and unknowable!
Your home is a box. Your car is a box on wheels. You drive to work in it. You drive home in it. You sit in your home, staring into a box. It erodes your soul, while the box that is your body inevitably withers… then dies. Whereupon it is placed in the ultimate box, to slowly decompose.
Welcoming back Carly Severn, we take a moment to indulge in Michael Mann’s existential police / serial killer drama Manhunter. We talk about the film’s distinctive use of unexpected style to convey the inner lives of its characters, the film’s (and Mann’s overall) focus on the individual rather than societal, dreams, tigers, mental illness, men doing work, men playing god, and the angst of being called to do something impossible.
I see you there. And I see me desired by you. Accepted and loved in the silver mirrors of your eyes.
Matt Belenky returns to gush over Brian DePalma’s love letter to mediocre men and the women they fancy themselves saving. We discuss the deep anxieties about inadequacy at the film’s core, and how DePalma creates magic out of a plot that’s somehow both threadbare and unnecessarily complex. Even Pauline Kael, one of DePalma’s great champions, thought this one was old hat, but not us — no — we positively LOVE its shaggy unreality. So jump on this nonstop train to Hitchcocksville — we’ll supply the telescope if you bring the drill!
Cows in the Field 