A moovie podcast
Let’s get it started, in the TUB! We sit down with Mitchell Beaupre (Letterbox’d) to discuss male friendship, regrets, the allure of youth, reliving our best and worst days, the comic genius of Crispin Glover, and what happened in Cincinnati!
If that guy doesn’t lose his arm soon, I’m gonna fucking take it from him myself.
Lou
What’s a moody anti-Western got to do with mythmaking, outlaws, celebrity, bold robbers, parasocial relationships, betrayal, guilt, capitalism, Roger Deakins, Brad Pitt, and Casey Affleck? A lot, it turns out! Join us and Edward Lewis to explore the contours of Andrew Dominik’s retelling of the end of Jesse James’ life.
By his own approximation, Bob assassinated Jesse James over 800 times. He suspected no one in history had ever so often or so publicly recapitulated an act of betrayal.
Narrator
Nicolas Cage has been on a run of making several movies a year for decades now, and Sympathy for the Devil is one of his latest experiments, a pulpy chamber piece road trip mystery suspense film co-starring Joel Kinnaman. We sit down the film’s director Yuval Adler (who also happened to get his PhD in philosophy from Columbia in the 90s!) and welcome back Matt Strohl (Philosophy, U. Montana) to discuss the film’s inception, what it is like to work with Cage, how the film holds us in suspense despite withholding so much narrative material, and some of the film’s themes surrounding guilt, revenge, and moving on from the past. We can’t wait for you to hear about Nic Cage’s process and his dedication to his craft, so tune in and be sure to check out Sympathy for the Devil, streaming everywhere now!
For the devil may start to envy those who suffer too deeply and throw them out into Heaven
The Passenger
Today we explore the dark recesses of the human soul with Agnes Callard (Chicago). We discuss von Trier’s minimalist staging, the movie’s parable, the duality of human nature, the lies we tell ourselves and others, the film’s political angle, and the role of anger in response to true evil.
All I see is a beautiful little town in the midst of magnificent mountains. A place where people have hopes and dreams even under the hardest conditions.
Grace
John Milius’s 1984 film Red Dawn has a reputation as a jingoistic conservative fever dream, but we talk with Nat Hansen, who argues that its political outlook is more complex and more interesting. Along the way, we also discuss the film’s portrayal of masculinity, the toll of war, the film’s many references, from The Battle of Algiers to Alexander Nevsky.
Wolverines!
Various
We go BACK to Arrakis, desert planet, homeworld of the spice and the Fremen and keeper of Shai Hulud. We’re joined again for the journey by major spice-head John DeVore to discuss Villeneuve’s two films in relation to Lynch’s 1984 version and Frank Herbert’s book. Along the way, we consider the worm Uber, the possibility of bad trips with the Water of Life, the lack of St. Alia of the Knife, the deliberate backgrounding of the more mystical elements of the novel, and the film’s magnificent score. Repeat after us: “It is by will alone I set my mind in motion… fear is the mindkiller… long live the fighters… and power over spice is power over all!”
Preorder John’s book, ”Theater Kids: A True Tale of Off Off Broadway” now!
Power over spice is power over all.
Unknown
We are joined by Fran Hoepfner (BW/DR, Fran Magazine) to experience the triumph and tragedy of the Von Erich family. We discuss wrestling (duh), Zac, brothers, fathers, bodies, cults, the American political circus, all while trying to figure out our wrestling names and signature moves.
Tonight, I walk with my brothers.
Kerry Von Erich
We’re joined by two philosophers of art to discuss how they’ve helped each other come to a greater appreciation for this quirky but lovable entry into the Fast and Furious franchise. We discuss how art can change depending on the context in which it is embedded, and the ways the franchise could have gone after this film. We also compare notes on the different ways we’ve come to appreciate this film over time.
I have money, it’s trust and character I need around me. You know, who you choose to be around you lets you know who you are. One car in exchange for knowing what a man’s made of? That’s a price I can live with
Han
Cows in the Field