GRAVE OF THE FIREFLIES (1988)

We are joined by Sam Liao (Philosophy, University of Puget Sound) to discuss our first animated film on the show: Isao Takahata’s Grave of the Fireflies! We discuss childhood, innocence, war, societal collapse, and much more!


You must also eat to build a strong body and go to war.

Aunt Yokokawa

                 

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PARASITE (2019)

We sit down with Rachel Fraser (MIT, Philosophy) to discuss Bong Joon Ho’s Academy Award winning movie PARASITE! What do Freud, Jane Eyre, and Marx have to do with a movie about three families in South Korea? Psychoanalysis, transgression, class consciousness, ideology, ghosts, Hitchcock, and lots more!


Dad, today I made a plan – a fundamental plan. I’m going to earn money, a lot of it. University, a career, marriage, those are all fine, but first I’ll earn money. When I have money, I’ll buy the house. On the day we move in, Mom and I will be in the yard. Because the sunshine is so nice there. All you’ll need to do is walk up the stairs. Take care until then. So long.

Ki-Woo

                 

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REC (2007)

Continuing spooky season, we sit down with Pete Turner (Oxford Brookes University) to discuss found footage horror and the now-classic entry into the genre, REC! We discuss why this isn’t “found footage”(!) although it is diegetic camera horror, and how the film uses the limited perspective to shape our identification with its characters. Don’t go in the attic!!


We have to tape everything, Pablo. For fuck’s sake.

Angela

                 

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RED ROOMS (2024)

Join us and Emily St. James to surf the dark web and hopefully not stumble upon any RED ROOMS. We discuss image management in the era of hyper-connectivity, Arthurian legends, Tennyson poems and 19th Century Chinese pirates, and of course, serial killers. Is this a comfort watch or a perfect horror for a brisk fall evening or BOTH?


She hears everything, and sees everything. I have no secrets from her.

Kelly-Anne

                 

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STAR TREK: THE MOTION PICTURE (1979)

We are joined by Max Evry (author of A Masterpiece in Disarray: David Lynch’s Dune) to discuss another sci-fi epic of the same generation, this one starring Captain Kirk and Mr. Spock! Exploration, practical effects, V’GER!, mystery, AI, leaping beyond logic!! Star Trek: The Motion Picture (1979), check it out!


My oath of celibacy is on record, Captain.

Ilia

                 

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FLATLINERS (1990)

We’re joined by Andrew Overbye and Hannah Blechman from the Authorized Novelizations Podcast to explore near-death experiences, spirituality, brat packs, and more during our discussion of Joel Schumacher’s 1990 film FLATLINERS!


Today is a good day to die.

Nelson

                 

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WARFARE (2025)

Alex Garland’s second film in two years traces the true story of co-director Ray Mendoza’s experiences in Iraq. We discuss the film with Jim Penola (An Invitation Productions), considering what drove Garland to the project, heroic sacrifice, decontextualizing violence, and the film’s commitment to realism.


Peeking With Serious Intent To Probe

Elliott

                 

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IN THE MOUTH OF MADNESS (1994)

We do, in fact, read Sutter Cane! Carly Severn (KQED San Francisco) returns to explore the world of mass market paperbacks that portend the return of the Old Ones and the end of humanity in John Carpenter’s homage to Lovecraft. Is it Mommy’s Day? Sadly, yes, it is.


Do you read Sutter Cane?

Sutter Cane’s Agent

                 

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RE-ANIMATOR (1985)

Life, death, and rebirth are on the exam table as we pull up the chart on Stuart Gordon’s RE-ANIMATOR (1985). Scout Tafoya (Ignite Films) returns to explore the film, its impact and legacy, men’s desire to procreate without women, practical effects, consent, horror, and of course, H.P. Lovecraft!


We can defeat death. We can achieve every doctors dream.

Herbert West

                 

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TINKER TAILOR SOLDIER SPY (2011)

The spy life. Espionage. Trust. Betrayal. Boring office parties. It’s the anti-James-Bond. Abe Mathew (Philosophy, Notre Dame) joins us to discuss Le Carre and the 2011 film adaptation of his most famous novel. Trust no one!


And that’s how I know he can be beaten. Because he’s a fanatic. And the fanatic is always concealing a secret doubt.

George Smiley

                 

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