Cows in the Field

REPO MAN (1984)

The life of a repo man is intense, which is why we invited friend Toby Levers to join us to talk about Alex Cox’s punk rock satire Repo Man! We discuss the film’s influence and influences, as well as how it manages to mash together genres in a style all of its own, fashioning the spirit of suburban punk on to a social critique of ex-hippy middle class malaise and the inherent contradictions of rebellion. We chew on the obscure wisdom of Miller (played by the magnificent Tracey Walter) before riding away into the night in a glowing green Chevy Malibu.

You’re fuckin’ right I’m Plettschner! Arnold Plettschner! Three times decorated in two world wars! I was killing people while you were still swimming around in your father’s balls! You little scumbag! I worked five years in a slaughterhouse, and ten years as a prison guard in Attica!
Plettschner

FRIDAY NIGHT LIGHTS (2004)

It is with clear eyes and love in our hearts that we dive into this classic football parable from the aughts with friend and returning guest Edward Lewis. We discuss the role of suffering in achievement, the paradox of youth, and the cycles that shackle us to our communities. We think about regret and expectation, and above all share our love for the film, which has since been eclipsed by the TV show of the same name. Come toss the football and punt when you should go for a touchdown, it’s Friday Night Lights!

It’s real simple: you got two more quarters and that’s it.
Coach Gary Gaines

TOP GUN (1986)

We stuff into a tiny F14 cockpit with Sean Burns (WBUR’s The ARTery) and fly into the danger zone to discuss why Top Gun is a sports film that forges a new American myth with dazzling imagery and zero subtlety. We consider the view that Tom Cruise is America’s son and get into the trenches with Kelly McGillis to unpack their love triangle with Val Kilmer’s Iceman. Also discussed: the effects of g-forces on the human body, what our callsigns would be, and why 80s American jingoism is quaint and endearing. Take my breath away why don’t you??? Let’s go!

I’m going to need a beer to put these flames out. Yo! Great Mav, real slick.
Maverick

IT FOLLOWS (2012)

Not to be downers, but, everything alive must die. This is something the kids from David Robert Mitchell’s devastating horror film must come to terms with, as they are stalked by a demonic entity that, no matter where they are, is constantly walking towards them. We sit down with Alison Willmore (Vulture / New York Magazine) to discuss how the film works as an allegory for social class, capitalism, personal trauma, sexual politics, and manages to channel both existential dread and the experience of a panic attack all at once. We wonder how to avoid the creature, what its scariest incarnation is, and whether a tale this bleak can have a happy ending after all.

Wherever you are, it is walking straight for you.
Hugh / Jeff

NATIONAL TREASURE (2004)

We sit down with Nicolas Cage expert Keith Phipps (author of The Age of Cage) to discuss the second highest grossing film of Cage’s career (second only to its sequel). We consider the point at which this film lands in the arc of Cage’s career, and how he draws on his well of acting experience to craft a character that blends elements of conspiratorial mania and fifth grade boy scout energy, selling the four-quadrant appeal of a movie about treasure hunting and historical preservation to both children and adults alike. We wonder what makes the film’s portrayal of patriotism appealing and then explore what could have been for Cage, concluding with some recommended overlooked Cage films to explore!

We’re more like treasure protectors.
Benjamin Franklin Gates

THE DA VINCI CODE (2003)

Have you ever wondered whether a famous painting contained a clue to a mystery that, once revealed, would upend the world as we know it? Well, you’re in luck because in this episode we dive into The Da Vinci Code with museum expert and curator Andrea Rosen! We explore the tough questions of whether to reveal the lie at the center of Catholicism or just go on living your life because no one would care, and then discuss the film’s art historical bonafides, whether Robert Langdon is a good professor, and whether this film, which has been mostly forgotten, deserves a dusting off and revisit!

Put it this way: One day the Templars simply stopped searching. They quit the Holy Land and traveled directly to Rome. Whether they blackmailed the papacy or the Church bought their silence, no one knows. But it is a fact the papacy declared these Priory knights, these Knights Templar, of limitless power. By the 1300s, the Templars had grown *too* powerful. Too threatening. So the Vatican issued secret orders to be opened simultaneously all across Europe. The Pope had declared the Knights Templar Satan worshipers and said God had charged *him* with cleansing the earth of these heretics. The plan went off like clockwork. The Templars were all but exterminated. The date was October 13th, 1307. A Friday.
Robert Langdon

COLLATERAL (2004)

Join us and Katie Walsh (LA Times, Miami Nice) for one night in L.A. as we journey through deserted streets with a meek cabbie dreamer (Jamie Foxx) and his assassin fare (Tom Cruise). We discuss cities and alienation, indecision and action, order and chaos, psychopaths and empaths, coyotes and subways. We gush about Cruise and Foxx playing against type, and wonder about how taxi drivers manage to keep all those streets straight. You might be surprised to find out where this Michael Mann film stacks up in his filmography for Katie, someone who hosts a podcast about another Michael Mann film (Miami Vice), but you won’t be surprised to learn that Laura loves the leanness of this ode to the city at night.

Don’t let me get cornered; you don’t have the trunk space.
Vincent

THE FIRST ANNUAL BLOBSCARS

Join us for a spoiler-free celebration of the very best films of 2021. We discuss our nominees and winners in the following categories: Best Picture, Best Director, Best Actor (non-gendered, pick 2), Best Supporting Actor (same thing), Best Score, Best Scene, and Most Overrated. Each film can win in only one category, so the stakes have never been higher! Tune in for the suspense, stay for the coveted, career-defining, awards.

Justin’s ranking of 2021 films

Welcome to the Blobscars!
Justin

BASIC INSTINCT (1992)

Join us and Matt Belenky (Movie Talk Podcast) to dive headfirst into Paul Verhoven’s classic 90s erotic thriller! We try to figure out what happened and why, and then explore how the film dissolves boundaries between Sharon Stone / Catherine Trammell and Nick Curran / audience member. We consider the possibility that the film is simultaneously exploitative and empowering, and lavish in its many unnecessary Americana details. Finally, we get to the bottom of why this was the peak time for ice picks.

Read Francey Russell’s article “What it Means to Watch” (Boston Review)

What are you going to do? Charge me with smoking?
Catherine Trammell

TWILIGHT (2008)

What does it mean to say that a movie is so bad it’s good? Is Twilight (2008) such a movie? We sit down with Matt Strohl (Philosophy, University of Montana), author of the new book “Why It’s OK To Love Bad Movies”, to talk about what it means to love and appreciate the beauty of bad films, and why bad movie love is an important and often overlooked mode of engaging with films. Along the way, we discuss the social aspirations of taste, what makes “Twilight” a potentially conventionally bad film and why those ‘flaws’ also contribute to its artistic achievement. Matt catalogs the various wide-ranging literary references embedded in the films and argues, contra the standard view that they push a conservative viewpoint about sex and marriage, that they are actually incredibly horny. We hope you’ll join us to give this much maligned film a second chance!

You’re like my own personal brand of heroin.
Edward Cullen