FLATLINERS (1990)

We’re joined by Andrew Overbye and Hannah Blechman from the Authorized Novelizations Podcast to explore near-death experiences, spirituality, brat packs, and more during our discussion of Joel Schumacher’s 1990 film FLATLINERS!


Today is a good day to die.

Nelson

                 

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WARFARE (2025)

Alex Garland’s second film in two years traces the true story of co-director Ray Mendoza’s experiences in Iraq. We discuss the film with Jim Penola (An Invitation Productions), considering what drove Garland to the project, heroic sacrifice, decontextualizing violence, and the film’s commitment to realism.


Peeking With Serious Intent To Probe

Elliott

                 

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IN THE MOUTH OF MADNESS (1994)

We do, in fact, read Sutter Cane! Carly Severn (KQED San Francisco) returns to explore the world of mass market paperbacks that portend the return of the Old Ones and the end of humanity in John Carpenter’s homage to Lovecraft. Is it Mommy’s Day? Sadly, yes, it is.


Do you read Sutter Cane?

Sutter Cane’s Agent

                 

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RE-ANIMATOR (1985)

Life, death, and rebirth are on the exam table as we pull up the chart on Stuart Gordon’s RE-ANIMATOR (1985). Scout Tafoya (Ignite Films) returns to explore the film, its impact and legacy, men’s desire to procreate without women, practical effects, consent, horror, and of course, H.P. Lovecraft!


We can defeat death. We can achieve every doctors dream.

Herbert West

                 

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TINKER TAILOR SOLDIER SPY (2011)

The spy life. Espionage. Trust. Betrayal. Boring office parties. It’s the anti-James-Bond. Abe Mathew (Philosophy, Notre Dame) joins us to discuss Le Carre and the 2011 film adaptation of his most famous novel. Trust no one!


And that’s how I know he can be beaten. Because he’s a fanatic. And the fanatic is always concealing a secret doubt.

George Smiley

                 

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HEAT (1995)

Come on over to our dead-tech, postmodernistic, bullsh*t, house and watch HEAT with us and Zed Adams (Philosophy, The New School)! Time, light, passing, entrapment, stylized realism, stoicism, individualism, institutionalism, and why people be thieving.


Don’t waste my muthafuckin time!

Vincent Hanna

                 

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ENOUGH SAID (2013)

We are joined by Jason Bailey, author of Gandolfini: Jim, Tony, and the Life of a Legend, to discuss one of his final films, ENOUGH SAID. We talk about midlife romances, self-destructive tendencies, shaggy stories, and a lot about Mr. Gandolfini’s honest and vulnerable performance. Check it out!


You broke my heart.

Albert

                 

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COBRA (1986)

We sit down with Phil Gawthorne (Die Hard on a Blank) to discuss our second Stallone flick, Cobra. We discuss how the film’s absurdities make it endearing, the catharsis of comeuppance, aesthetic vibes, robot fashion, metanarrative love. 

Robot fashion



Call the Cobra.

Police Chief

                 

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TALK TO HER (2002)

We sit down with James Miller (The New School) to discuss Pedro Almodovar’s challenging film TALK TO HER. We consider the juxtaposition of beauty and horror, the duality of subjects and objects, the blurry lines around the moral, ballet, and friendship.



From death, life emerges. From the masculine, the feminine emerges.

Katerina

                 

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WHIPLASH (2014)

We are joined by Brad Skow (Philosophy, MIT) to discuss Damien Chazelle’s WHIPLASH! Abuse, striving, greatness, parenting, color, the ending(!), and, of course, jazz.


Did I tell you to stop playing?

Fletcher

                 

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