ALIENS (1986)

James Cameron’s terrifying and overwhelming sequel ALIENS is a rollercoaster that Roger Ebert called “absolutely, painfully and unremittingly intense.” We sit down with ⁠Brendan Hodges⁠ to explore the film’s power over us, what all that goo and slime means, the film’s anti-bureaucratic “strong individualist” conservatism and second wave feminist ideology, its use of space inContinue reading “ALIENS (1986)”