MATCH POINT (2005)

How should we engage with the work of immoral artists? We explore this question through the lens of Woody Allen’s late period masterpiece Match Point. Mary Beth Willard (Philosopher, Weber State, and author of “Why it’s OK to Enjoy the Work of Immoral Artists”) joins us to discuss the aesthetic costs of not engaging withContinue reading “MATCH POINT (2005)”

THE USUAL SUSPECTS (1995)

How should we feel about and how should we engage with art made by immoral artists? We consider these questions in the context of The Usual Suspects along with Erich Hatala Matthes (Wellesley), whose new book on the topic (Drawing the Line: What to Do with the Work of Immoral Artists from Museums to theContinue reading “THE USUAL SUSPECTS (1995)”